Cultural Inheritance of Miao Nationality's "Pan Song" from the Perspective of Ethnomusicology
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DOI: 10.38007/Proceedings.0001286
Corresponding Author
Weiwei Xia
Abstract
Music is the cultural soul of a nation. It gradually develops in production and life. It has not only its own characteristics, but also the shadow of its own customs. The purpose of this article is to study the current situation of the "Pan Song" of the Miao people from a unique perspective of ethnomusicology, with a view to proposing constructive countermeasures for the inheritance and protection of Pan Song and to strengthen the self-confidence of the national culture. This article uses ethnomusicology to conduct an in-depth field survey of Miao villages in a county and its surrounding areas in Wanzi Miao village, Huangtian Miao village, Gaoshanhoushan Miao village, Weixin County, Zhaotong City, Yunnan Province and Basha region, vietnam. Through interviews, we can understand the current development status and existing problems of the Miao Pan Song. It is concluded that 92.31% believe that young people and children are far away from the field of Pan Song, tend to be aging, and face a serious fault situation. Aiming at the current situation and problems of Pan Song, it puts forward constructive protection measures for Pan Song, finds a suitable development path, and allows Pan Song to spread better and integrate into this era.
Keywords
Ethnomusicology Vision; Hmong Music; Pan Song; Cultural Heritage