Author(s)

Risu Na, Ning Sun and Yaqin Wang

Corresponding Author

Yaqin Wang

Abstract

Documentary is the recorder of the spirit of The Times, the living memory of a country and a nation, bearing the record and reappearance of the humanistic spirit of the nation and even human beings. Among them, humanistic TV documentary has become the most favored film category with high artistic value and great cultural value. The creation of cultural TV documentaries in China reached its climax in the 1990s. Inner Mongolia humanistic TV documentary, as a branch of Chinese humanistic TV documentary that shows unique national culture and national spirit, has important theoretical research value. This paper will draw on the famous French film theorist jean - mitri's three-level theory of film aesthetics, combined with ethnology, culturology, documentary, narratology and other theories, and comprehensively grasp the aesthetic characteristics of Inner Mongolia cultural television documentary with the method of close reading.

Keywords

Humanistic Television Documentary; Film Aesthetics; Aesthetic Characteristics