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Inheritance Status and Performance Practice of Red Violin Works under the Background of the Founding of the Party for a Century

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DOI: 10.38007/Proceedings.0002001


Lei Chang

Corresponding Author

Lei Chang


Abstract: 2021 coincides with the 100th anniversary of the founding of the Communist Party of China. Standing at a new historical starting point, reviewing the struggle of the party over the past 100 years, the first generation of Chinese Communists, with Comrade Mao Zedong as the main representative, united and led the people of all ethnic groups across the country, worked hard, and overthrew imperialism, feudalism, and bureaucracy. The three mountains of capitalism established New China. The Communist Party of China has grown from a small party in a secret state to the largest ruling party in the world. It has gone from suffering to glory, and from weak to strong. Under the strong leadership of the Party Central Committee with Comrade Xi Jinping at the core, the Chinese nation has ushered in a great leap from standing up, getting rich, and getting stronger. An important part of the history of Chinese music, since the reform and opening up, special research results from the perspectives of disciplinary theory, philology and methodology have followed one after another, and the discussion on the development of the red violin art has reached a new climax. On the occasion of the centenary of the founding of the party, this article puts Chen Gang's "red violin" creation under the macro background of the centenary of the founding of the party, using the perspective of music history to examine the development of violin art during this period and the creation and historical evolution of the "red violin", and interpret the special relationship between the politics, music policies and composers of the period reveals the influence of Chen Gang’s “red violin” in the country at that time. Finally, from a historical and developmental perspective, the inheritance and performance of the red violin works under the background of the party’s centuries. The survey shows that the citizens of this city are not very familiar with the red violin works. Close to 67.4% of the people said they were unfamiliar or unfamiliar, and only 6.8% said they were very familiar with the red violin works.


Keywords: Centenary of the Party, Red Violin, Status Quo of Inheritance, Performance Practice