Author(s)

Siwei Wu, Xiaoling Chen and Cheng Di

Corresponding Author

Cheng Di

Abstract

Abstract: How to write the image of the country and the nation has become the core issue of the ideological production of the contemporary country. In the new era, Tibetan film and television creation itself has undergone multi-level changes and reconstruction. The film "Ala Changso" is a representative film and television work with the theme of "Tibet" released recently. From three aspects: reconstruction of image context, reconstruction of narrative strategy and reconstruction of spiritual core, this paper discusses in depth the unique "anti-landscape" photographic expression, the artistic characteristics of "inner perspective" and the expression strategy of pursuing the broad and real spiritual display of the emotional resonance of the whole human being and achieving national self-explanation and the expression strategy of "De-spectacle" narrative. To explore the way of shaping a brand-new Tibetan cultural image through film and television media, and to provide a knowledge base for China to realize the "organic unity" of multi-ethnic groups.

Keywords

Keywords: Tibetan Theme Film and Television, Narrative Strategy, Spiritual Core, Design Reconstruction